How can I make my EDM sound better?

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How can I make my EDM sound better?

Twelve EDM production tips for producing massive and original dance music

  1. Get to know classic electronic music sounds.
  2. Look to your favorite EDM tracks for arrangement inspiration.
  3. Mix up your sound sources.
  4. Always be on the lookout for new sounds.
  5. Choose sounds that gel from the start.
  6. Focus on the kick.

What are LUFS for dance music?

How Loud Should a Dance Master Be? The loudness of a dance master can be measured using an integrated LUFS meter and should range from -14 LUFS on the quieter side, to -8 LUFS on the louder side. Most dance masters are created with significant limiting and are closer to an integrated -8 LUFS.

What is mastering electronic music?

Mastering is the final, essential stage in music production, and is considered a dark art by some. It’s where a track is polished, taking it up to radio / club / festival quality. We want it loud, clear, fat and wide without distortion.

How do you master EDM tracks?

And without further ado, 5 tips for mastering an EDM track!

  1. Know Your Audio Environment. It’s dire that you take your monitoring environment seriously.
  2. Precision EQ.
  3. Keep Compression Ratio Small.
  4. Throw a Limiter At the End of the Mastering Bus.
  5. Set the Appropriate Attack and Release Times.
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How do you mix electronic dance music?

30 Mixdown Tips & Techniques for Instantly Improving Your Electronic Dance Music

  1. The mix starts before choosing your first sound!
  2. Sound design and sample selection.
  3. Tune your drums.
  4. Use automation.
  5. Cut EQ rather than boost.
  6. Use distortion as EQ.
  7. Starting fader levels.
  8. Check the mix on different speakers / headphones.

What should my target loudness be?

Regarding loudness, A good setting would be from -9 to -13 LUFS with the dynamic range reading on LEVELS not exceeding 8DR. With over 100 million people using Spotify, it’s crucial to make sure your music is heard in its best light. Consider this, the loudest your music will ever be heard on Spotify is about -14 LUFS.

What is the LUFS standard?

LUFS stands for Loudness Units relative to Full Scale and is still the latest and most accurate technology available for measuring perceived audio loudness. Today LUFS are used to set audio level standards in film, broadcast television, radio, and on streaming platforms like Spotify and Apple Music.

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How do you master an electronic track?

To glue the track together:

  1. Set a slow attack time of around 0.3 ms.
  2. Set the release around 0.7 ms so you don’t destroy the transients of your track.
  3. Set the ratio to around 2 to 1.
  4. Turn the threshold down so you only reduce around 1 to 3 dB.
  5. of this glue compression is to tighten up the sound, not to make it louder.

Can I master my own song?

Most music professionals will tell you that you should never mix and master your own music. I believe that under certain circumstances, it’s perfectly fine to mix and master your own songs. Yes, even if I make a living as a mixing and mastering engineer.

How do you EQ master track?

Here are a few more things you can do using side-channel equalization:

  1. Widen the stereo image: Add a touch of high shelving at 8 kHz or higher.
  2. Reduce muddiness and tighten up the overall sound: Add some low shelving at 200 Hz or lower.
  3. Tighten up just the low end: Reduce frequencies below 75 Hz.

What is the best stereo equalizer for mastering?

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A great parametric EQ to check out is the Maag Audio EQ4M. This stereo equalizer features six bands to help tailor your sound, and also features Maag’s Air Band. This EQ lends itself to mastering quite well with the inclusion of detented (stepped) knobs.

What’s the best EQ for a mastering engineer?

For the above uses I recommend a graphic EQ with 15 to 31 bands. A mastering engineer is going to be working in an impeccable mix room, but can’t control the quality of the material sent in for mastering.

What is the massive passive EQ?

The result is a unit which produces twice as much eq with half the coloration, making it ideal for mixing or mastering uses or for fine vocal shading, to name only a few. The Massive Passive is designed to be a fundamentally different EQ which incorporates the best strengths of Pultecs, choice console EQs, parametrics and graphics.

Is software the best equalizer?

Software can pretend to replicate the circuitry of hardware, but they’ll never actually be one of the best equalizers. It can even filter itself to act as if it’s producing the subtle, pleasing artifacts of analog recording equipment. In the end it’s still, relatively, cold and lifeless.