Table of Contents
Did other composers influence Bach?
J.C. Bach exposed him to the works of great composers of the day, including South German composers such as Johann Pachelbel (under whom Johann Christoph had studied) and Johann Jakob Froberger; North German composers; Frenchmen, such as Jean-Baptiste Lully, Louis Marchand, Marin Marais; and the Italian clavierist …
Who was Bach’s audience?
Bach’s audience included the clergy, merchants, city folk, and professors at the prominent Leipzig University. The surface layer of the cantatas appealed to all—melody (what melodies!), familiar rhythms, and the comfort of the chorales.
How are Bach and Vivaldi similar?
In simple terms, Bach saw music as an intellectual pursuit, while Vivaldi was primarily concerned with how the music sounded. Counterpoint and all-pervasion motivic relationships in the service of god on one hand, and aural surfaces that conveyed vivid emotionality on the other.
Who is this composer that writes SDG in his composition?
The Baroque composer Johann Sebastian Bach wrote the initials “S. D. G.” at the end of all his church compositions and also applied it to some, but not all, his secular works. This dedication was at times also used by Bach’s contemporary George Frideric Handel, e.g. in his Te Deum.
Were the concertos of Vivaldi part of Bach’s repertoire?
Almost certainly, the concertos of Vivaldi were part of their repertoire.3 It was in this musical court of Weimar that Bach transcribed two concertos by the young Prince Johann (BWV 592, 595) as well as three concertos by Vivaldi for solo organ (BWV 593, in A minor; 594, in C; and 596, in D minor).
Which Italian composers had significant impact on Bach?
An Italian master whose compositions had significant impact on Bach was Antonio Vivaldi. In 1713-1714, Bach transcribed at least nine concertos of Vivaldi, three for solo organ (BWV 593-4, 596), and six for solo harpsichord (BWV 972-3, 975-6, 978, 980).
What influenced Antonio Vivaldi to play the violin?
Corelli’s style of playing influenced violin technique for centuries, and he instructed many of the leading violinist-composers of the 18th century, including the Italian Francesco Geminiani. Born in Venice, Antonio Vivaldi was trained in music as a child, but was ordained as a priest in 1703.
What was Vivaldi’s connection with the Ospedale?
Around 1704, Vivaldi began his association with the Ospedale della Pietà, an institution with which he was connected for most of his life. Although the Ospedale was usually called an orphanage, it was in reality a home for the illegitimate daughters of Venetian noblemen, and was well financed by its “anonymous” benefactors.