Why does my song sound different on different speakers?

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Why does my song sound different on different speakers?

You’re hearing not just the direct sound from the speakers but all the reflections bouncing around the room. These reflections can sometimes cause problems like standing waves where the dimensions of your room can cause an increase in volume at a certain frequency and the cancellation of a frequency at another.

How do I make my track mono compatible?

7 Tips For Mono Compatibility – That Actually Work!

  1. Tip #1: Understand The Difference Between Mono And Stereo.
  2. Tip #2: Identify and Fix Phase Cancellation Issues.
  3. Tip #3: Place Each Element Appropriately In The Stereo Field.
  4. Tip #4: Mono Your Low-End.
  5. Tip #5: Use Mid/Side Processing.

Why do my mixes sound different?

Maybe it’s your monitors, or the speaker placement, or even the room itself—but something is causing you to hear a skewed representation of what your mix actually sounds like. But the kick isn’t what sounds boomy—it’s your room. So when you listen in a different environment, the kick sounds weak and thin.

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What makes a mix good?

Balance: The mix should offer a good balance of the levels of each instrument, vocal, etc. while preserving the musicality and emotion of the song. Separation: Each instrument and part should be easily discernable. A great mix will well-defined enough for the listener to pick out individual sounds.

Why does my mastering sound bad?

A mix can sound harsh when there is an excess of energy in the 1kHz to 10kHz frequency range in the context of the whole mix. Often, the root cause of harshness is poor sonic and EQ choices, such as pushing for an overly bright mix or selecting harsh synth sounds.

How do you make a song sound good?

How to Make Your Music Sound Better

  1. Begin with good writing and structure.
  2. Know what a song that “sounds good” actually sounds like.
  3. Take stock of your talents.
  4. Collaborate.
  5. Be clear on the genre you’re working in and its main components.
  6. Trust your work to the professionals.
  7. Keep working on your own skills.
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How can I make my stereo mix sound good mono?

If you pan the exact same element left and right in your mix, you’ll end up with a sound that plays back centered in the stereo field. To create width that does a good job of translating into mono, try adding a slight delay to a mirrored track, and apply something like Waves UltraPitch to modulate its pitch and time.

Should your mix sound the same in mono?

There’s nothing wrong with doing most of your mix in mono. In fact, it might be the best thing for your mix! Like I said, if you can get your mix to sound good in mono, it’s going to sound even better once you switch it to stereo. But there is a point where you’ll want to switch back to stereo before hitting export.

How do I Make my mastered audio track sound better?

Burn the track to a CD. When burning your mastered audio track to a CD, set the write speed as low as possible to make sure the quality of audio is as high as possible. Many engineers burn at 1x or 2x. You can then duplicate the burned disk and be assured the sound quality will be replicated.

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How can I Make my mixes sound better on smaller speakers?

10 ways to make your mixes sound good on smaller speakers 1. Leave The Room 2. Route 66 3. Virtual reality 4. Equal loudness curves 5. Test driver 6. Sub slayers 7. Be creative 8. Set-top boxing 9. Phoning it in 10. A to B

How to master a song at home?

How to Master a Song at Home (in 14 Easy Steps) 1 Step 1: Optimize Your Listening Space. Mastering is a subtle art. Extremely small moves can change how your entire mix sounds. 2 Step 2: Finish Your Mix (to Sound Mastered). 3 Step 3: Check the Levels. 4 Step 4: Bounce Down Your Stereo Track. 5 Step 5: Take a Break (of at LEAST One Day).

What is audio mastering and why is it important?

Audio Mastering is the final step of the mixing process. It’s what happens to a song before it gets released to the world. Mastering a song is simply using tools like EQ, compression, saturation, and limiting to accomplish these three things: To make the track louder (not just in volume, but also in PERCEIVED volume.